Sound Casino – Metropolis EP

Since forming in 2011, Sound Casino have come a long way and from this EP it is clear that they have found their sound. The ambiguous introduction to the first track, ‘Keep on Losing’ gives nothing away to the bands new and punchy sound, but the crescendo into the song makes one thing clear, they are back with a vengeance.

Each song on the EP has a different vibe running through it, from frantic drum beats to harsh, grungey guitar riffs, each song has something new to offer. The last song, ‘Light’ has almost an exotic sound, due to the combination of an intricate guitar opener and the percussion throughout the song. Witch catchy lyrics and backing vocals in all four songs on the EP and a mix of fast paced urgency and calmer, softer sounds, it really showcases all of the bands abilities as both individuals and as a solid unit.

The whole feel of the music is polished and hard hitting; there is a real gap in the market for a band with such versatility and clear passion running through even their backing vocals. Sounds Casino are definitely a band to watch out for and who knows what the rest of the year will have in store for the talented, indie-garage foursome.  

Delamere @ Bad Edit 21.06.2013

A military like drum beat fills the cosy venue that is Bad Edit. It comes from Gravity Dave and their raucous, heavy sound really marks the start of the night. I was beginning to think that the band had only one genre to offer, but they soon proved me wrong as they eased into their set and their songs grew more varied and interesting. The depth of their songs was something to be admired and with constant crescendos, they are definitely a band to watch out for. 

A band that would be the love child of Arctic Monkeys and Kasabian; Borders took to the Bad Edit stage, with Greg’s waling vocals and a meaty bass line, it is a great combo for their punchy songs and repetitive melodies which soon got the audience going. In parts of the set, they did seem to lack lustre as a band, whether that was because of the small audience I do not know. Luke the drummer seemed to be really into the music, as he thrashed his stick against the cowbell repeatedly. Overall, it was a good set, and they made great support for the evening. 

The way that the sound check built up and into the actual performance was really intriguing and added a friendly touch to the band from the word go, from that moment on, their electric layered sound set the little venue alive, sending the whole audience into a turmoil of effortlessly cool music. 

All of that aside, Delamere are in the running for a spot at Green Man Festival 2013. The Leek based Alt Indie band are raking in the votes to play at this mighty little Welsh festival this August. 

The energy of the quad is something to be admired, as it does not even drop for a second that they are on stage. Lead singer, James Fitchford gets his drum out, no that’s not a strange euphemism; the unmistakable tribal sounding drumming starts that is so very clearly a Delamere trademark. The band all have the same attack and passion in their playing which is something that seems to be so hard to come by nowadays. 

An original sound, well structured songs, and a certain depth and balance between upbeat and soft pieces really made for an enjoyable performance. It is also a rarity when at a live performance, that the band sounds just as good live as they do on recordings, but for Delamere, they seem to pull the whole thing off with such ease and fluidity that they could easily be a signed, touring, fully fledged band, which poses the question why are they not already? 

To help Delamere on the way to Green man festival, vote for them athttp://www.greenman.net/rising/2013/delamere

Burslem College Gig 24/04/13

The Quidity started the gig with an energetic twist on Mumford and Sons, ‘Little Lion Man’. Liv Sherratt’s vocals added a unique twist to the folk-y, almost angry song. The harmonies which the band added in were also really impressive.

Third eye gelled really well as a band, the connection between all of the musicians was clear and you could tell that they were really passionate about their music. ‘Stray Cat Strut’ had clean vocals from Jordan Pemberton and the whole band really kept in time with each other well throughout their set.

Jordan Pemberton went onto do a solo set; his intricate guitar playing and smooth vocals really captured the whole room, which is extremely difficult to do with a gig designed for friends and family.

Rosie Radford performed with two different pianists, Rob and Jess. Her set consisted of covers from Adele, The Carpenters and Adam Lambert to name a few. Her vocals were complimented by the piano and the simplicity of it made it very easy on the ear. All of the musicians gave dynamic performances.

Citadel managed to keep a good pace throughout their heavy metal set. ‘Al bent on leather’ set the mood for their grungy and electric set. This combined with a Motorhead cover really showcased the bands’ talent both collectively and as individual musicians.

Jordan then made his third and final appearance for the night, accompanied by Isaac Pemberton who stunned the audience with an impressive combination of drumming and vocals – at the same time! ‘Crazy little thing called love’ by Queen really got the audience going. The foursome worked really well as a band with a polished and fun set.

All of the musicians that performed on the night really did well to showcase their abilities. Despite not having the best turn out, they all put on a really good show that was entertaining and very enjoyable to both watch, and listen to.

Molly Gould

I Love Dr Martens

I have had a couple more pairs since I took this photo but as you can probably tell, I really do love Dr Martens, and shoes in general. 
My favorite pair has to be my Cherry Red 1460's, they go with so many outfits and I wear them and wear them and wear them, they are such good quality shoes! 

Style Icon: Prince

Yes, you read the post title correctly. Prince with his embellished clothes and outlandish outfits is very much a style icon for me. 
I love the way his outfits break the boundaries and how he is not afraid to stand out, but hey, he is Prince for goodness sake!

(All images: Getty Images)

Embellishment and Kimonos are really in right now, I'm actually attempting to make a Kimono myself (wish me luck!) but these styles are absolutely everywhere! Topshop, H&M, Primark just to name a few. But yes, Prince is my unlikely style icon!

The Quidity, Cellar Door and Third Eye @ The Full Moon Newcastle

The Quidity kicked off the night will a tight and well-rehearsed set. They performed a selection of rock covers including songs from Bowling for Soup, Jet, Fountains of Wayne and The FooFighters. Their energy and connection as a band was really impressive and the female vocals really added their own twist on their chosen songs. 

Cellar Door played another selection of covers. The acoustic three piece had a rounded sound and the vocals from Nadine Gidman, teamed with the backing vocals from Jack Wood worked well together creating intricate and interesting harmonies which really made the songs sound original. The band had quite a smooth tone to their performance and they really gelled as a band. 

Third Eye were last but most definitely not least. With strong vocals from Becky Lesti and folk-y infusions running through the songs, the band really put their own spin on old classics. The instrumentals were tight and their musicianship was great. The band really looked at home on stage and their overall tone was good. 

Molly Gould

The Rivalry @ Fat Cats Cafe Bar 30.03.2013

After a lengthy wait and with much anticipation, The Alcucinors Acoustic Duo take to the stage in Fatcats. Their soft and easy tone filled the room and they were very much a crowd pleaser with their mellow and breezy songs plus a cheeky Beatles cover. The shared vocals of the two boys, Dave Hannah and Jake Kimberley work well together to create their unique sound; which mixed with the two guitars creates harmonious and broad music.

Dirty Rotten Souls were up next and what can I say? Dirty by name and dirty by nature; their gritty sound and deep bass guitar riffs really scream out to the audience. The drums were slightly overpowering at times and the vocals got slightly lost along the way but it was a tight performance and I liked how their set was continuous and the songs were linked together through bass riffs; it really kept the audience listening.

The Ruby Dukes have a really good connection with each other, which is clear from their stage presence and musicianship. With a strong intro and intricate guitar riffs the set had a good pace and the layers of the music really shone through.

The Rivalry were the headline act of the night and they definitely gave the most lively performance of the evening. They all have a really good sense of musicianship and their catchy and repetitive choruses really got the audience going, it was obvious that both the band and the audience were there to have a great time. Strong and hard vocals came from Rob Hawthorne and the set was definitely well rehearsed as the band had a very much polished sound.

MG

Adam French ‘Back Where I Belong’ EP Review

From the moment I set eyes on this EP I am intrigued; with a bright orange sleeve and a purple paisley print on the CD, I immediately want to hear it and it does not disappoint.

From the gentle guitar to the gritty yet polished vocals, the EP is very well put together. With a variety of influences running through the tracks and a mixture of tempos, this EP really showcases the skill and musicianship that Adam French possesses.

‘Just Another Day’ has quite a blues-y feel to it with a heavy bassline and easy laid back vocals, yet the title track, ‘Back Where I Belong’ is a lot more upbeat and has a harmonious and perky sound. The contrast between the tracks is impressive and I look forward to hearing even more new material from this talented singer songwriter.

Molly Gould

WET NUNS @ THE SUGARMILL

Bong Idle opened the night with a short but well rehearsed set. Their individual style shone through as a band and they brought a friendly atmosphere into the venue, to make the start of what was to be a great night. With a psychedelic sort of sound, Bong Idle are quite a unique band, despite that the vocals were hard to hear and understand at times.

A strong drumbeat and a killer guitar riff is always a great way to start a set in order to grab the crowd’s attention, which is something Moscow did wonderfully. From the very first song, the singer; Nic Andrews, was dancing through the crowd as he sung, a quirky and interesting touch to the set. The band members are all clearly very emotionally invested in their music judging from their lively performance and their strong, solid sound. Despite having three broken microphones and a snapped guitar string, the band continued to play on like true professionals. After a cheeky glance at the set list and a swig of beer, the show goes on; all dressed in black, the band have a good image, without looking awkward or like clones of each other. The use of cowbells in a couple of their songs added a slightly mechanical twang to their indie-rock sound.

Another powerhouse of an intro from Troops of Mafeking with astonishing bass playing and killer drum beats, the band seem to have nailed their gritty indie sound.  As a unit, they create great music, with a mix of tempos and variety; each instrument has a purpose in the songs and that is very clear, as their music has a lot of depth and dimensions which can sometimes be hard to achieve at a live gig.

Who would have thought that a two man band could fill a room with ear-bursting sound? Certainly not me, but Wet Nuns took The Sugarmill by storm, with their heavy, grungy sound. With predominantly instrumental music and shared vocals between Rob on guitar and Alexis on the drums, the duo managed to pack so many genres into their music such as Blues, Rock n Roll, Folk and Garage to name a few. The concentration on both of their faces was so intense much like the way that their instrumentals built up slowly, peaking with thrash metal and rock riffs. The transitions between songs were seamless and it was almost like one continuous stream of music. It got slightly repetitive in places but that made the band feel more familiar and catchy. The feedback from the amp added to their slightly warped and twisted sound, which is so unique to the band.

 Molly Gould

Bison and Wolf - Bases EP Review

Their debut EP is packed with new and interesting material from the Staffordshire based quartet. Their sound has not altered much from their previous tracks but it does have a more polished and revamped tone to it; it is clear that they have matured and progressed as a band.

The EP has five full length tracks and each song has a different feel to it; five very different and well written songs which all possess intricate guitar riffs and smooth, melodic vocals with a mixture of gritty bass and striking, punchy drums.

My personal favourite track off the EP is, ‘Take’ with its heavier intro that builds up with the layers of the different instruments and the vocals sitting on top of all that. The smooth vocals are a good contrast to the somewhat dirty sounding bass riffs that underlay throughout the track. The harmonies work well within the song and add even more depth to the already full and rounded sound of the band. 

Molly Gould

Bison and Wolf @ Fatcats Hanley 22/03/2013

The music coming from the basement of Fatcats is powerful and definite. It comes from relatively new three piece, Tempest. They have quite a unique sound with a number of layers running through their songs; each instrument seems to be playing something totally different to the rest of the music but it somehow sounds right and it is clear that the band are comfortable on stage. As their music is so varied, it keeps you listening and wanting to hear more and more from them.

A sudden start and Adam French’s set is already in full motion. The tone in his voice is warm and full; despite being a singer songwriter and being the only one onstage, he dominated the audience to the point where they were singing the lyrics back to him. It is clear that he is a very talented musician and having previously gigged at venues such as Camden Barfly, he is a force not to be reckoned with.

With friendly faces and extremely well written songs, Bison and Wolf take to the stage at their EP launch. Their sound remains the same but the new songs seem to have a fresher and more polished sound to them. The harmonies and the tone of the vocals are exceptional, that combined with their obvious ease on stage and all of the bands musicianship made for a very good gig. They are definitely as good live as they are on their recorded tracks and the instrumentals are so intricate and well rehearsed.

Three great sets from some of the finest artists in the area; it will most certainly be a gig to remember. 

Molly Gould

Heatwave Radio is now on air! The student radio Station from Stoke on Trent College is now streaming and you can listen live at www.heatwave-radio.co.uk or via the Tune In app. 

The station will give the best mix of music and shows from students and lecturers at the college, with shows ranging from beauty advice to a Live DJ hour and everything you could possibly imagine in between, so tune in!

ACCESS TO MUSIC AUDITIONS BIRMINGHAM

Last Friday saw two of Stoke-on-Trent College’s own bands enter the ATOM LIVE auditions for a chance to win a weeklong tour up and down the UK along with a host of other prizes. The Whiskey Dolls and Band of Gypsies were the two lucky bands who went down to Birmingham for this fantastic opportunity.

The day was filled with very varied acts that all performed in front of a panel of experts who would later decide their fate. Not only that, but there was also an audience and a live radio broadcast from the event.

The Whiskey Dolls were the first of the two bands to perform. They describe themselves as a ‘hard-rock quartet with southern rock influences’ which I think describes them perfectly with their gritty and edgy sound. They were very different to the other acts that performed that day and made use of heavy instrumentals and their songs really showcased each of the member’s abilities. They all had good musicianship and gave a powerful performance.

The judges complimented their song structure and their solid, strong sound but told them to work on their stage presence.

Despite having a very quick line up change before the day, Band of Gypsies performed well as a band and there was a really good connection between all of the members. Their songs were well rehearsed and well put together in terms of structure and lyrics; each member seemed to play their own role within the band and you would never have guessed that they had only been playing together with that line-up for a matter of days.

The judges commented on the fact that they are a radio friendly band and Rosie Radford, the vocalist, obviously meant the words that she was singing. They may sound slightly old fashioned but have an overall evocative sound.

Both bands gave really did the college proud, and after an antagonising wait; we found out that Band of Gypsies will go through to the next round. Well done to both bands for such great performances!  

Dead Radio Society @ The Full Moon

Despite the doors opening at eight for this gig, it was good hour and a half before the sound-check was complete and the gig began. The John Macleod Band were first on the bill and filled the room with their chilled out, retro sound. The band really seemed to grow as the set went on, seeming more at ease with every song that they played. A lively performance from all of their members and a melodic, rounded and well rehearsed sound.

Up next were The Nanateas who have such a unique sound, almost as if they have Hawaiian influences imbedded into their clean sound and bluesy vocals. Every song seemed to be totally different with some really clever backing vocals and harmonies. There was a good sense of musicianship throughout the band and they put a lot of energy into their set.

They definitely returned with style at their comeback gig; Dead Radio Society took the stage by storm with their sudden start to their set. It is very obvious that the band know their sound and where they want to be from their definitive style and the energy that they all performed with. From the polished songs to the variation in tempo, Dead Radio Society have really nailed their sound. Every member of the band and every instrument served a purpose and added to the depth of the music and it really worked well together live.

Molly Gould

The John Macleod Band @ Bad Edit 22/01/2013

For such a small and hidden away venue, the room is packed full of chatty and lively people all waiting eagerly for a much anticipated gig. Frank Cerioni kicked off the night with his softer sounding music which filled the venue with no problem. There was a lot of depth to his sound for one man with a guitar and there was a good variation of tempos throughout his set.

Delamere were to follow on this bill; with an energetic and lively set which seems to be a guarantee at their gigs .All of the band members seem to really get into the music and it is obvious how much emotion has gone into writing their songs. The way all of the instruments work together creates a really unique sound along with James’ powerful vocals. As usual, the harmonies coming from the guitarist and backing vocalist, Ashley were great; the band clearly work hard as a team to create and shape their sound as a band through a balance of instrumentals and lyrics.

The John Macleod Band is fronted by none other than John Macleod himself, a friendly and confident front-man with a clear passion for what he does. The band had a quite old-school/retro sound which was really interesting to listen to and the drummer, Angela Lazenby, was really impressive. The synth really added an extra level to the music and rounded off their sound as a band; the audience seemed to be really engaged with the band. There was a nice mix of instrumentals within the music but I would have liked to have heard a little more variation in the tempo of the songs that they played, having said that I really enjoyed the slightly heavier song that they played towards the end of their set. There is some really good talent within the band and it was clear that they were well rehearsed and got on well together as the dynamics between them created a great atmosphere for the audience. 

Molly Gould

WET NUNS, TROOPS OF MAFEKING, MOSCOW + BONG IDLE

WET NUNS, TROOPS OF MAFEKING, MOSCOW + BONG IDLE @ THE SUGARMILL 01/03/13

Bong Idle opened the night with a short but well rehearsed set. Their individual style shone through as a band and they brought a friendly atmosphere into the venue, to make the start of what was to be a great night. With a psychedelic sort of sound, Bong Idle are quite a unique band, despite that the vocals were hard to hear and understand at times. 

A strong drumbeat and a killer guitar riff is always a great way to start a set in order to grab the crowd’s attention, which is something Moscow did wonderfully. From the very first song, the singer; Nick Andrews, was dancing through the crowd as he sung, a quirky and interesting touch to the set. The band members are all clearly very emotionally invested in their music judging from their lively performance and their strong, solid sound. Despite having three broken microphones and a snapped guitar string, the band continued to play on like true professionals. After a cheeky glance at the set list and a swig of beer, the show goes on; all dressed in black, the band have a good image, without looking awkward or like clones of each other. The use of cowbells in a couple of their songs added a slightly mechanical twang to their indie-rock sound.

Another powerhouse of an intro from Troops of Mafeking with astonishing bass playing and killer drum beats, the band seem to have nailed their gritty indie sound.  As a unit, they create great music, with a mix of tempos and variety; each instrument has a purpose in the songs and that is very clear, as their music has a lot of depth and dimensions which can sometimes be hard to achieve at a live gig. 

Who would have thought that a two man band could fill a room with ear-bursting sound? Certainly not me, but Wet Nuns took The Sugarmill by storm, with their heavy, grungy sound. With predominantly instrumental music and shared vocals between Rob on guitar and Alexis on the drums, the duo managed to pack so many genres into their music such as Blues, Rock n Roll, Folk and Garage to name a few. The concentration on both of their faces was so intense much like the way that their instrumentals built up slowly, peaking with thrash metal and rock riffs. The transitions between songs were seamless and it was almost like one continuous stream of music. It got slightly repetitive in places but that made the band feel more familiar and catchy. The feedback from the amp added to their slightly warped and twisted sound, which is so unique to the band.

Molly Gould

Heatwave Radio Launch

After weeks of relentless planning the day had finally come, Launch Day. The day was kick-started with a cake sale in aid of 'Help a Signal Child', Signal One's very own charity. I will post a picture of me eating said cake further down in the post!

After running around like a headless chicken for the rest of the morning, everything was set; the goodie bags made up, balloons put up, sandwiches and nibbles put out, sound and lighting sorted... The list goes on! But we were ready to begin, and who better to introduce the event and the station than Lee Beddow, our course team leader. 

Untitled Project and James Peake both had sets on the day, and provided us with lovely musical entertainment throughout the launch, and we even had someone  from The Sentinel newspaper there to take a few snaps! 

Search for Heatwave Radio online, or on the Tune in app. 
With a wide range of new and exciting shows from the students of Signal Radio Media Academy, and all of the greatest music, there is something for everyone! 

Enjoying the food!

Chris and Jonty from Signal Radio

Two of our guests

This is me, eating cake!

The Killers

Last Sunday I had the fab opportunity of going along to the Manchester Arena with a few other people from college, to see how a gig is actually set up!

It was so interesting, seeing the lighting being put up and the sound levels being checked; we were also given a talk on what goes in first and all the different roles that the various people have on a tour. I can honestly say that it was an eye-opener, and there are a LOT more people involved than you may think!

On top of having this amazing opportunity, we also got to go and see The Killers at night for free! They were supported by 'The Howling Bells' who played a really short set but they were so good. Needless to say, The Killers played brilliantly; they had so much energy and sounded just as good live as they do on recordings. 

I hope more opportunities like this come along as it was so much fun. (Unfortunately, I couldn't take any photos of the talk or the stage being set up but I managed to get a few good ones from the gig!)

The Killers

The Howling Bells

The Killers

Waiting to go in!

                                                                                                    

Burslem College Gig

Despite being rescheduled from Wednesday evening, to Thursday morning, the February College Gig was packed with lots of energy and great music. 

Rosie Radford

With a theme of blues and 60's Music, there was quite a range of different genres and styles throughout all of the bands that played, with songs from Etta James, The Who and The Ronnettes to name a few. 

'Band of Gypsies' (made up of Rosemary Radford, Daz Bowman Jacob Bloor and Robert Vyse) played four original songs that they have written together as a band. All of their songs were well-rehearsed and played with lots of emotion. 

Mike Tippo

Daz Bowman

Burslem College Gig

The Whiskey Dolls

CHASING TRAITS + PSYENCE + MOLOTOV REVIVAL + LEAVING NEBRASKA

The sudden start to Leaving Nebraska’s set seemed to take the crowd by surprise as they launched into their first song of the night. The band have quite a unique sound and they seem to have a lot of influences and genres flowing through their music; at times they managed to create quite an orchestral sound.

The bass guitar was slightly overpowering at times but that was through no fault of the band. It was clear that the band had worked hard on their own material and the instrumentals were well rehearsed and polished. I thought they could have spoken to the crowd more throughout the set but having said that, the transitions from song to song were very smooth.

Molotov Revival had a powerful opening to their set and they seem to have established their sound as a band. With a very rock ‘n’ roll and bluesy feel to their music, they definitely captured the crowd. The whole of the band had great stage presence especially the singer, Phil Wagg. They had a lot of energy and a lot of bass to their songs. There could have been more variation in terms of the tempo of the songs but other than that, their music is really fresh and well put together.

Echoing vocals can be difficult to pull off in a positive way, but for Psyence, this worked perfectly! Their energy on stage is amazing and the synth added more depth to the sound. As a band they communicate well and put on a really good live show. The heaviness of their music and instrumentals is balanced out by Steve Pye’s smooth vocals; they sounded well-rehearsed and the music had lots of different levels to it.

From the chanting and stomping in the crowd, it was clear how excited everyone was to see the headlining band. The band’s energy seemed to spread throughout the venue and captured the crowd. Brad Malbon’s opening vocals were very impressive and it was obvious that the band were really enjoying themselves throughout the set.

Despite the set being very short, the crowd seemed to really enjoy it and so did the band. Their last song ‘Enigma’ from their EP of the same name went down a storm. Luke Scrivens’ vocals were soft and clean and the band created a multi-dimensional sound, despite being only a 4 piece band. They had a really good live sound and also put on a really great show, so much so that the crowd were left chanting for more at the end of the night.

DELAMERE + YOUTHA + THE REBELLION

DELAMERE + YOUTHA + THE REBELLION @ THE SUGARMILL 01/02/13

I have to start off by saying; this was definitely the best gig that I have been to in a very long time!

Despite being together as a band for only one and a half years, from the moment that The Rebellion started playing, it was clear that the band intend on sticking around for a lot longer than that. With a set full of dirty bass solos and buckets of energy, The Rebellion certainly set the show off with a bang.

Only three songs into the set, the bassist of the band, Andy Robinson, went topless for the rest of the set and that combined with his amazing bass playing (which has to be the best I have seen in a long time) definitely made the start of a gig to remember. The band have a rock ‘n’ roll feel running through their songs as well as their covers but they also bring a modern twist which also makes all of their songs sound a little different and quirky.

The vocalist, Danny Bowers has an amazing energy on the stage as well as a 1950’s twang to his voice. Regardless of the fact that the drummer is almost ten years younger than the eldest member of the band, Charlie proved tonight that he could certainly keep up with the rest of them as he kept the band together with definitive drum beats throughout. The last song ‘Settle Down’ really showcased the ability of their guitarist, Pezz as his talent really shone through.  This band will definitely be one to watch this year as with such a unique sound to their music, I’m sure they will be popping up everywhere.

Youtha were next on the bill, and although I have never seen them live before tonight, they did not disappoint. Every song was clearly very well rehearsed and they had a very full and strong sound which easily filled the room. All of the band (particularly the drummer, Matthew Jones) were very into the gig and were clearly enjoying the atmosphere and being onstage.

The band played really well live; the set was tight and also the song, ‘Black and Blue’ sounded amazing as they added a lot of echo to the microphones which gave it a totally different sound to that on  a recording.

Delamere headlined the night, in celebration of the release of their single ‘Vampire’ which was played flawlessly towards the end of the set. The build up to the start of the set was very mysterious and certainly set the tone for their time on stage. Every member of the band was contributing to the overall sound and there were so many layers going into the music. There was also a subtle tribal sound to a couple of the band’s songs which only made it more interesting to listen to.

With every song the sound of the band changed again and again, adding even more mystery to who influences the band (I later found out that it was in fact The Foals and Biffy Clyro!) but the thing that seemed to piece all of the sounds together was James’ soft yet powerful vocals. Between all of the band members, it was obvious that the communication was good and that there was also meaning behind the music, that they had put a lot of thought into both writing and rehearsing each song.

The harmonies in the backing vocals that came from the guitarist, Ashley, really added a sort of different texture to the sound; the contrast between the vocals and instrumentals were great as there was a balance of both heavy and soft. Throughout the set they really engaged the audience and maintained an original sound.

The Rebellion

(Image courtesy of PBJ Images - paulbentleyjones@pbj-images.co.uk twitter: @pbjimages)